Visual disconnection
Visual disconnection is the experience of becoming distanced and/or detached from one's sense of vision. At its lower levels, this results in acuity suppression, double-vision, pattern recognition suppression, and frame rate suppression.
- Feeling as if one is watching the world through a screen
- Blurred vision and difficulty perceiving fine details
- Feeling as if the visually perceivable world is further away in distance
- Feeling as if one is looking at the world through someone else's eyes
- Double vision that, at higher levels, forces the user to close one eye if they need to read or perceive fine visual details
Visual disconnection is often accompanied by other coinciding effects, such as cognitive disconnection and physical disconnection. This results in the sensation that one is partially or completely detaching from both their sensory input and their conscious faculties. It is a near-universal effect under the influence of moderate dosages of dissociative compounds, such as ketamine, PCP, and DXM.
Holes, spaces, and voids
Holes, spaces and voids are a sub-component of visual disconnection that manifest when it has become all-encompassing in its intensity. This experience is more commonly known as a "K-hole" and is generally discussed as something that is specifically associated with ketamine, despite being present within most traditional dissociatives. A K-hole can be described as the place a person finds themselves in once visual disconnection becomes powerful enough to leave the person incapable of receiving external sensory input, replacing their visual input with a space that subjectively feels as if it is outside of normal reality.
The visual appearance of this space, hole, or void can be described as a vast, mostly empty and darkened chamber that often feels and appears to be infinite in size. This space is usually dark black in its colour, but can occasionally display itself with large patches of slow-moving amorphous colour clouds or subtle geometric patterns across its horizon. At its higher levels, these voids are often populated with hallucinatory structures, which are comprehensively described and documented on the respective SEI page.
Alongside this visual experience, changes in gravity and a powerful sense of tactile disconnection are also usually present. This can result in one feeling as if they are undergoing an out-of-body experience while weightlessly floating through a void over great distances in a variety of different speeds, directions, and orientations. This is a feeling that is interpreted by many people as floating through space or the night sky.
Structures
Structures are the only feature found within what would otherwise be completely empty and uninhabited voids. These manifest as the visual experience of monolithic 3-dimensional shapes or structures of an infinite variety and size that float above, below, around, or in front of a person as they gradually zoom, rotate, transform, or pan into focus and become unveiled before the person's line of sight at a gradual pace.
These structures can take the form of any shape but common examples include vast and giant pillars, columns, tunnels, blocks, buildings, slides, monuments, wheels, pyramids, caves, and a variety of abstract shapes. They are often fractal in shape and can manifest in a variety of colours, but usually follow darker themes and tones with an associated aesthetic that is sometimes subjectively interpreted as "alien" in nature.
At lower levels, structures are overly simplistic in shape and have some basic detail to their lighting and shadows. They appear to be comprised of semi-transparent condensed colour and are seen as ill-defined or out of focus around their edges. However, at higher levels, structures become fully defined in their shape, edges, lighting, shadow, and detail. They often appear to be made of solid and dense realistic materials, such as stone and metal. In terms of their size, they become capable of appearing as thousands of miles long and are often extremely complex in terms of their shape and texture.
Structures typically display themselves anywhere between 30 seconds to several minutes before the person experiencing them slips back into reality or into the presence of another structure. In terms of how these structures shift between each other, their transition processes can consist of transforming their shape into that of another structure, panning out of view until another structure pans into view, or remaining stationary whilst one is floating silently between them over what can feel like extreme physical distances.